
Hot Fuzz (2007)

Rated 15 | Duration: 121 min | Genre: Action, Comedy | Release Date: 14th February 2007 (UK)
Director: Edgar Wright
Main Cast:
Simon Pegg (Nicholas Angel)
Nick Frost (PC Danny Butterman)
Martin Freeman (Met Sgt.)
Bill Nighy (Met Chief Insp.)
Writers:
Edgar Wright
Simon Pegg
Synopsis

P2/M1/D1 Understanding Media products and the institutions that create them
Top London cop Nicholas Angel (Simon Pegg) is without a doubt London’s finest officer. His record surpasses any other and he continues to undergo training to polish his skills. Making his peers look bad, they have him unwillingly promoted and transferred to stand ford, a country or so we think.
As it is advertised Stanford is seen as a quiet and peaceful, which doesn’t satisfy our London cop. During the first night in the village he’s already at work kicking out underage drinkers out of a pub, then arresting them for disorderly conduct in the streets. One of the arrestees is found to be his new partner. Danny Butterman (Nick Frost) a very goofy absent minded character whose father Frank (Jim Broadbent) is the village’s chief of police. Nick meets his new peers who don’t fully have any interests at their work. The only people to actually care about the law are the alliance, a long term residents who deeply care about the reputation of the village.
Due to the lack of action within the village Nick’s most exciting moment have been chasing a swan, confiscating an arsenal of a rusty sea mine and chasing a shop lifter. Afterwards he pulls over a local solicitor and his much younger partner, driving to their “homage” to Shakespeare a bad one at that whom they have decided to invite the cops.
Things do start to pick up when we find the said residents brutally murdered, finding their bodies and decapitated heads on the road, Nick and Danny discover their wrecked car, Nicholas suspects that the car was made to look like it was wrecked as a cover and that it wasn’t an accident due to the lack of skid marks on the road, due to their lack of suspicion the other police officers are content with the explanation of the accident.
The next day more “accidents do happen as local business George Merchant is found to be dead and the accident was covered with an application of bacon and beans. But Nicholas knows that George Merchant wasn't killed in an accidental explosion - he once again believes this is murder. The next day at the station he and Danny are putting together the pieces of the accident but so far no one believes Nicholas' theory that George was murdered.
The following Saturday it's time for the town fair. Nicholas is unfortunately strapped with working security. Danny wants to see Nick's sharp shooting skills during a game - he does so and wins a cuddly monkey. While a local lottery is being held for some rather nice prizes, Nicholas is greeted by the reporter Tim Messenger. He sees Leslie Tiller telling him something. Messenger tells Nicholas to meet him behind the church at 3:00. While drawing the next name for the lottery - which happens to be Tim Messenger, the church clock strikes 3:00. Nicholas stops what he's doing and quickly runs behind the church - but once again it's too late. It appears that a large part of the church roof has fallen on Messenger and decapitated him. Frank quickly rules it an accident but once again Nicholas suspects otherwise.
Nicholas and Danny are left guarding the crime scene while the rest of the department has gone home for the night. The next day Nicholas is furious at the rest of his department - who are still believing that the deaths are accidents. But Frank reassures him otherwise, and while Nicholas is busy putting the pieces together of these horrific crimes, the rest of the department informs him that it's Danny's birthday.
Nicholas goes to the local flower shop to buy a peace lily for Danny as a birthday present. He is surprised to see the shop's proprietor, renowned for her horticultural skills, leaving town. She tells him that the land she owns was to be bought by the businessman with the assistance of the Thespians. Then, when they were both killed, the reporter informed her that her land was much more valuable than what the businessman offered her, so she has sold her shop to a land developer from the city. She also reveals her connections to Skinner. When Nick briefly goes outside to his car, the dark cloaked figure stabs the woman to death with her garden shears. Nick gives chase but cannot catch up to the villain, who was wounded in the escape. Convinced that Skinner's connection to the property deal and attitude toward those murdered is sufficient evidence against Skinner, Nick takes the police force to confront him. But Skinner has no wound and his store's surveillance tapes establish that he was on the premises all day.
Nick is prepared to give up when it occurs to him that instead of a single murderer, several dark-cloaked murderers might be working together. This theory is confirmed when he is attacked in his hotel room by one of Skinner's employees, who is wearing a dark cloak. Nick defeats him and then impersonates him when Skinner radios to see if Nick has been killed. Nick traces Skinner to a castle outside of the village. There he finds the Neighbourhood Watch Alliance, clad in the dark cloaks, chanting ritualistically. The NWA reveals that they have all been behind the murders, with their motive simply being reputation and civic pride, and had nothing to do with property deal between those who were murdered. Anything that could strip Stanford of its status as the nation's best village is violently opposed: The solicitor and his girlfriend were murdered because their terrible acting brought ill repute to Stanford’s theatre company, the businessman was murdered for owning a tacky home, the journalist for poor spelling, and the horticulturalist for even thinking about moving away. Nick tries to arrest them but Frank and Danny appear in support of the NWA. They chase Nick through the grounds of the castle, where he finds the remains of other people the NWA has killed. The NWA surrounds Nick, and Danny steps forward and stabs him. Danny takes Nick's body away in the boot of his car.
At a safe distance, he lets the quite-alive Nick go -- they had faked Nick's death using ketchup packets for blood and Nick's notebook to avoid actual skin penetration. Danny refuses to believe his father and the NWA are responsible for murder and persuades Nick to take his car and return to London. In London, Nick sees a collection of action film videos and, inspired, returns to Stanford to put an end to the NWA. He takes the arsenal from the police evidence room and confronts many of the NWA members in the town square. Arriving there well-armed as the other on his white horse, he vanquishes them only through the assistance of Danny, they successfully take most down.
In the local pub (whose owners are also NWA members), Frank and the other constables, in full riot gear, surround Nick and Danny. But Nick is able to persuade the constables that he is in the right. Frustrated, Frank runs away. Nick and the other officers go to the supermarket to apprehend Skinner, but when his employees put up a spirited fight, Skinner is able to escape with Frank. Danny and Nick give pursuit in their police car, and in the process find the runaway swan. Skinner and Frank are forced to abandon their car, and Nick and Danny give chase on foot. Nick and Skinner fight in a scale replica of the village, and Nick wins when Skinner falls and impales his chin on model of the village church, though this doesn't kill him. Frank tries to flee in Nick and Danny's car, but crashes into a tree when the swan attacks him.Nick's former London superiors arrive in Stanford to congratulate him and ask him to return, as London has become crime ridden in his absence. Nick refuses because he has made such good friends and finally learned to enjoy life in Stanford and in general. However, at the station, the last remaining member of the NWA tries to kill him. Danny takes the full brunt of the gun blast, and in the ensuing chase, the sea mine is detonated, destroying the station house.
Danny is told to be dead but as Nicholas is seen as the grave of Butterman we found out thats its Frank when Danny comes in.Danny is promoted to Sargent and Nick becomes the Inspector. Danny and Nick continue to patrol the streets of Stanford together with Marcus and Mike from Bad Boys as their role models.
"Recounting the plot of a movie, telling what happens, is the simplest way to explain it to someone else. But this is neither a film review nor a film analysis. It’s merely a synopsis that anyone else who sees or has seen the movie will likely agree with. This level of content may be called the referential content, since it refers directly to things that happen in the plot and possibly to some aspects of the story that are merely implied by the plot" ~ Christopher P. Jacobs
This quote that Jocobs has stated means that a synopsis is a piece of writing that everyone would agree with as it has no opinion nor is it biased to any one, as it is the description of what you see in the film.
Purpose
Just like any other movie company their main purpose would be fiancial and entertainment reasons, but like every other movie there is sole purpose;
In an interview Edgar Wright stated "There isn't really any tradition of cop films in the UK... We felt that every other country in the world had its own tradition of great cop action films and we had none."
“Because all of the British crime films of the last 30, 40 years have been gangster films, particularly in the last 10 years, and we were just a bit bored with the faux, chic gangsters and people running around with shooters talking about pills. So we wanted to do something different, and we thought the British bobby was under-represented in British cinema. Also, it seemed like every country in the world had its cop films except the UK, apart from The Blue Lamp and The Boys in Blue.”
Edgar wright wanted to write a cop film because there isn’t really tradition of cop films he also stated that they felt that every other country in the world has that tradition but them. Also he stated that in the last 10 years the crime films in Britain were gangster films, so the group were bored of the “faux, chic gangsters and people running around with shooters talking about pills”, so they wanted something different. They also thought that “British-bobby” was under-represented in the British cinema..
In the same interview, Wright reveals: “I’d funded myself from working at Somerfield [supermarket] – the same one that’s in the film [Hot Fuzz], actually”. He later went onto explaining that, “Hot Fuzz is the only film that cannot be remade in the States, because it would completely lose its point. Why would you remake that in the States? Why would you remake Shaun in the States?! It doesn’t make any sense, it’s pointless”.
Most movies have a way of highlighting problems that are normally pushed to the side, to highlight problems that exists or used to and want to show people(in hot fuzz there were lots problems whether it was big such as society/government showing they only care for reputation so they ignore or get rid of the people who they think aren't important or they highlight how people like Nick may seem perfect but really everyone has a weakness).
Researchers Blulmer and Katz expanded on a theory and published their own in 1974, stating that individuals might choose and use a text for the following purposes (ie uses and gratifications):
"Diversion - escape from everyday problems and routine.
Personal Relationships - using the media for emotional and other interaction, eg) substituting soap operas for family life
Personal Identity - finding yourself reflected in texts, learning behaviour and values from texts" This theory suggests the idea that audience have different purposes for taking in a certain type of media, if the audience have a certain purpose to watch a film then the film would try to meet up to most of those standards such as entertainment. Hot Fuzz's aim like most mvies was soley to entertain. Hot Fuzz's would soley be diversion as the storyline itself is quite unusual and gives viewers the feel of escape into a new world with funny and lovable characters.
Genre


The genres fpor filmsallows the audince to recognise it from the start. The film takes on diffreneet conventions of different genres: Action, Comedy and Drama along with others, alowing it to hsve a great impact on the audience and allows them to stay true to the film. This offers entertainment to the audiece. This should please everyone, as this is a hybrid example of the 3 main genres that most people find appealing
Films use conventions to emphasize a genre, such as guns in an action film are what help the views to tell the differance in genre styles. Hot Fuzz is an generic action film as they use props such as guns and the narrative contains fight scenes and non digetic sound such as fast paced music to increase the adrenaline within the viewers which introduces the genre of thriller which complements the actions. Conventions use codes, which are a system of signs that we usally put together sequential. to communicate significance. The three types of codes: technical, symbolic and written. Technical codes involve camera techniques: framing lighting and mise-en-scene; symbolic codes are anyhting that has meaning. are: objects, setting, body language, clothing and colour and these are linked to a specific genre. Written codes are all the writing seen on the screen. These are headlines, captions and language style.
In a Typical narrative view Hot Fuzz would be viewed as a action, comedy because the main character Nicholas is a cop so that implies there will in fact be action since it highlights that it will invlove his job as we see him in his uniform first thing. Ths structure of the story is set bya character being put into a new place wher etheres no one like him, this adds to the comedic effect since opposites attract, and we get to see how his character adjusts to the new settings.
In a Typical Micro element view Hot Fuzz can be viewed as a comedy and a thiller/action because of all the different kinds of of lighing they use, such as the first dark picture of frank this image created by using only the key & back lights, it produces sharp contrasts of light and dark areasDeep, distinct shadows/silhouettes are formed
: camera work/editing/lighting/costume/font/colour/ props etc
BK Grant film genre reader in 1986 stated that genre is "collective expressions of contemporary life that strike a particularly resonant chord with audiences" also clearly stated that "The film is perceived as sharing aspects and attributes (such as structure, theme, or visual style) with other films in the same category, and is analysed comparatively. This approach relies heavily on the use of genre paradigms, or readily identifiable elements such as costume, location, character archetypes, shot transitions, or plot content." This suggests that genre is judged by the different elements in films e.g. the look of the film or the kind of costumes they use as shown on the pictures below that Hot Fuzz can use these elements such as the costume Danny is wearing adds the comedy aspect as the darkness of the light introduces fear/ horror.
The types of shots, lighting, editing, sound effects and so on, can be used to distinguish a film's genre. We can see that right at the beginning of Hot Fuzz, Angel uses effective sharp movements in his busy London life; also the fast paced jump cuts adds to how busy it is there; this is a good contrast to the longer scenes used when Angel gets to Sandford, showing a much boring environment with much less do to. Scenes get more exciting and mysterious as the murders start to happen, and we see Angel back in action trying to solve all the murders as tension grows.
Furthermore, the writers of the film were inspired by such films, as Bad Boys, due to the 360 pan shots used - a technique used to show the close relationship between the characters' in Bad Boys which Wright and Pegg purposefully used for Angel and Butterman's relationship.


Other Information
Box Office:
Budget: $8,000,000(approx)
Worldwide Gross: $80,573,774
-Domestic: $23,618, 786
-Opening Weekend: $5,848,464
-Foreign: $56,936,509
Locations:
Locations
- Wells, Somerset, UK (Sandford)
- The Crown Pub, Wells (The Pub)
- Barne Theatre, Hertfordshire (Interior)
- Hendon Police Training centre, UK
- Bishops Palace, Wells (Sandford castle)
Technical Specs
Running time: 120 mins
Aspect ratio: 2.35:1
Cameras used: Arricam LT and ST, Arriflex 235 and 435
Soundmix: Dolby Digital Ex
Production Companies Involved
-Universal Pictures
-Studio Canal,
-Working Title Films,
-Big Talk Productions,
-Ingenious Film Partners.